Cartooning 101: The Basics

My drawing table, littered with tracing paper.  Well, littered, anyway! Time to clean...



When I was taking cartooning classes, there was one important lesson that our teacher imparted to us, over and over:  use tracing paper to sketch.  Why?  Because it's relatively cheap, and if you make a mistake, you can toss it.  So many people are afraid to make a mistake, so don't draw at all, choosing to stare at the blank page instead, awaiting inspiration.  This violates another very important lesson they teach you in cartooning school, which is to draw as much as you can!  Later on, while taking graphic design classes, my instructor also was a big fan of tracing paper.  In a large composition, you may sketch a character or something really nice, but not like another part.  So... you trace over the good part, or cut that out, and use it to redraw the scene.  Heck, you can make 5 or 6 sketches of the same scene and cut and past the best bits, for a great rough sketch.

Today's Knight and Day, done first on tracing paper, then inked on the lightbox, then fixed, cleaned,
and shaded on the computer in photoshop.  Some strips are higher maintenance than others. :0)

They say that George Herriman (Krazy Kat) could sit down and start inking, without any sketching or anything.  Looking at the compositions of his Sunday pages, I find that really hard to believe.  I'm sure he sketched thumbnails at the least, but even if he didn't, I recommend highly creating a few sketches before setting out to do any final artwork.  I, for one, can sometimes sit down and work away perfectly, but there are other times when I flounder across the paper, and nothing seems to go right.  In that case, a tight sketch is a life saver, which I can throw on the light box, and ink over.  At least then I'll make less mistakes. :0)

Even if you've moved to the computer for life, you should still sketch. Any decent draw or paint program should give you layers, so always sketch on one layer first, then draw on another layer above it.  Well, not always... there is something to be said for spontaneity.  It all depends upon your style, and how loose you allow yourself to be.

The important thing is, of course, to not leave that paper blank. :0)

Cheers,    JOHN :0)

In Which I Make a Cool Pirate Video

While I'm holding off on cartoon news for the moment, I just had to share with you a cool little video I put together the other day.

Okay, so some of you are aware that I am slightly obsessed with Disney's so called 'dark' rides... an obsession that precedes even my first visit to the parks.  You see, long before there were Legos and snap-together kits, there was the model kit.  A kit that, no matter what the box said, required quite a bit of skill to put together and paint.  And I just love working with my hands!

Some of my many happy childhood memories involve putting together Disney's Pirates of the Caribbean model kits with zap/action!  The one I remember most is Condemned to Chains Forever, in which a pirate skeleton fights an eternal battle with an alligator that's trying to chew on his leg.  It's no wonder the comic book I'm working on is titled The Ghost Pirate Skeletons of Three Craters Lake, is it?

So, a few years later I have managed to get the same model kit, complete in it's box.  And now it will take me years to find the time to actually build it and build it right.  However, I had ten minutes free one Saturday morning, so over coffee I carefully removed the pieces from their sprues, and, like any good model builder, fit them together before any attempt at gluing. And being the show person that I am, I just had to video the attempt, and ad some animation to it. :0)

Please enjoy!

PS  As I kid I ripped the box open and started painting and gluing haphazardly until I had a sloppy mess that little resembled the picture on the box.  And I loved every minute of it. :0)

PSS If enough of you clamor to see more, I'll be forced to find the time to play, er... work towards making another video in this series.  Please? :0)

On my iPod?  Ariene Brunet, "Le pied dans ma bulle"    Nice!

Aiming High

Once upon a time, my advice to you was if you want to get your name out there, if you want to make a living with your art, you have to have things in circulation.  Today we set up websites and place drawings on a facebook page, but there are at least a million others doing the same thing.  The world is changing, but the previous way of doing things is still best, and that means mailing stuff out.  Illustrators should have postcards out to magazines, and Cartoonists should have stuff out to the Syndicates.

My career took off when I made it a habit of always having something in the mail, or in transit to somewhere, whether it was cartoon submissions to a magazine, or a short story, or comics to the syndicates.  Of course, once my freelance work took off, I didn't have time to follow these goals, but at the same time I didn't need to.  I was working, and sometimes making money, and that was where I needed to be.

However, my goal has always been newspaper syndication, and so I finally returned to that quest.  The industry is in a state of flux, but for me, that is where I need to be, and where I am sure my particular audience is.  For me, catching the brass ring of syndication will give me the focus I need.  In the years since my last submissions to the syndicates, I have been busy with my freelance career, but always cartooning at the same time.  As you know, one project is The Inquiring Minds comic book, The Ghost Pirate Skeletons of Three Craters Lake.  Loosely based on my comic strip, and begun in comic strip format, it is not something the syndicates would look for, being a storyline for one.  Since it is definitely a comic book project, I need to treat it like one.  HappyGlyphs can publish it, of course, but to get it into the comic book stores requires a lot of time and capital, and is a risky venture that requires complete dedication.  And so that project is on hold for now. 

I have also been working on my comic strip Knight and Day, and managed to complete my graphic novel 3 Knights in India, again, loosely based on the comic strip, but not syndication material.  Oddly enough, though, the graphic novel was serialised in the India Post, a weekly newspaper serving the Indian community, so for a while I did see my work in the papers, and was proud of that.  Still, syndication being my goal, I set aside time and created a new package of Knight and Day.  Some of these strips can be seen at HappyGlyphs.com and others at the HappyGlyphs Comics Fan Page on facebook.  Others will remain with me until A) I get syndicated, or B) failing that, I complete the strip on my own, and publish my second Knight and Day comic strip collection.

Another vertical comic strip: I love the freedom all that extra vertical space allows!

I worked hard to create strong strips that demonstrated well who my characters are, and created a package of material that I am really proud of.  Now, I just have to wait and see how the market is, and what mood the syndicates are in.  Once upon a time Knight and Day came very close to getting syndicated.  Bad timing made that dream fall through, but now it's an all new strip, and a different world, so we'll see what happens.

I've worked hard for this, and will work even harder if syndicated,  Wish me luck!  Sometimes a little luck can give you the edge you need. :0)

All the best,    JOHN :0)

On my iPod?  Nothing!  Ack!  Can't decide what mood I'm in today. :0)